There are two stars of the first scene of Mrs. Scooter, the sublime and emotionally turbulent new film by Shiladitya Moulik that screened at the New York Indian Film Festival last Friday. The first is the shiny new scooter that’s been recently acquired by Bhushan, a hard-working young clerk. The second is Aashima, Bhushan’s dazzlingly young wife, who happened to come into his life the same day his treasured scooter did.
With his marriage, it seems like things are finally looking up for Bhushan, a man with no family to speak of except for his doting, gossipy landlady Sheila. Viewing these early scenes, a viewer with no knowledge of the film’s plot would be forgiven for thinking that Mrs. Scooter would be about the struggles (yet ultimate triumphs) of India’s growing middle class.
Alas, that’s not what this film about.